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To sign up for a subscription package, click your user name in the upper right, and choose 'Client Area'. Then, choose a package that suits your needs. This message will be removed once you have signed in. CD: 26 Mixes for Cash Classics Come To Daddy Donkey Rhubarb Drukqs Girl/Boy EP I Care Because You Do On On Remixes Richard D. James album Selected Ambient Works 85-92 Selected Ambient Works II Windowlicker 2 Remixes By AFX Analogue Bubblebath Analogue Bubblebath 3 Analogue Bubblebath 4 Chosen Lords Hangable Auto Bulb Smojphace EP Caustic Window Compilation Mike & Rich Quoth EP Surfin On Sine Waves Confederation Through Rushup Edge Vinyl: Drukqs boxset VHS: Come To Viddy (and random fanboi stuff; rubber johnny sticker, 3 posters, 1 selfmade shirt, 1 official shirt, magazines, blabla). All on original CD apart from the titles followed with Download. Melodies From Mars (Download) Gak (WAPCD 48CD) SAW 85-92 AMB3922RM) SAW Vol 2 (WARPCD21).I Care Because You Do (WARPCD30) Ventolin (66143-2) US Maxi CD Richard D James Album (WARPCD43) Come To Daddy (WAP94CDX) Windowlicker (WAP105CD) Drukqs (WARPCD92) Classics (RS95035RM) 28 Mixes For Cash (WARPCD102) Hangable Auto Bulb (WARPCD138) Analord 1-11 (Download) Chosen Lords (CAT173CD) Compilation (CAT009CD) Surfing On Sine Waves (WARPCD7) Expert Knob Twiddlers (CAT027CD) Rushup Edge (CAT189CD) I have another delivery due Monday, and that should include the rest of the EP's and Analogue Bubblebath 3.
. Length 74: 22 chronology (1992) 1992 Selected Ambient Works 85–92 (1992) (1992) 1992 Selected Ambient Works 85–92 is the debut by the English electronic musician Richard D. James under the of, released as a very limited import in late November 1992 by, an imprint of the more prominent label, and later widely in February 1993. The 1992 LP was James' third release overall, and collected tracks dating back as early as 1985.
An analogue remaster was released in 2006, and a digital remaster in 2008. Selected Ambient Works 85–92 received widespread acclaim and has been characterised as a landmark of, and. It was followed by (1994).
On the week ending 27 September 2014, the album entered at #30 in the after the release of his 2014 album. Contents. Background James grew up in in a 'very happy' childhood, and began experimenting with musical instruments, such as his family's piano, at an early age. He attended in, and claimed to have won 50 pounds in a competition to make a program that produced sound on a (a machine with no sound hardware) at age 11. He subsequently created music using a and a sampler, and also began reassembling and modifying his own synthesizers. As a teenager James gained a cult following being a at the Shire Horse Inn in, with at the Bowgie Inn in and along the beaches around Cornwall, learning new musical techniques.
He studied at from 1988 to 1990 for a in engineering. About his studies, he said 'music and electronics went hand in hand'. James graduated from college; according to an engineering lecturer he often wore headphones during practical lessons, 'no doubt thinking through the mixes he'd be working on later'. According to musician Benjamin Middleton, James began producing music at age 12. James said he composed ambient techno music the following year.
In an interview with Q Magazine in 2014, James stated that the ambient track 'i' emerged from those early recordings. James' first release as Aphex Twin, later changed to AFX, was the 1991 12-inch on. In 1991, James and Grant Wilson-Claridge founded to promote 'innovation in the dynamics of — a much-loved and misunderstood genre of forgotten by some and indeed new to others, especially in Britain'. He wrote ' to clear up his audience after a rave.
From 1991 to 1993 James released two Analogue Bubblebath EPs as AFX and an EP, as Bradley Strider. Although he moved to London to take an course at, he admitted to that his electronics studies were being evacuated as he pursued a career in the genre.
Although he allegedly lived on the in, during his early years there, he actually resided in a nearby former bank building. While performing at clubs and with a small underground following, James went on to release SAW 85–92, which was mostly recorded before he started DJing and consisted of instrumental songs that were mostly beat-oriented. Composition. Album version, as it appeared on Selected Ambient Works 85–92 Problems playing this file?
Although Selected Ambient Works is primarily instrumental, many of the songs use. 'Xtal' includes a repeating female vocal sample along with interchanging ambient sounds, while 'Tha' has clips of several people talking. 'We Are the Music Makers' features Gene Wilder's recitation of 'We are the music makers, and we are the dreamers of dreams' from Arthur O'Shaughnessy's poem, from the 1971 film.
'Green Calx' contains samples from: the 's popping eyes during the 6000 SUX TV ad, the ED-209 robot trying to go downstairs without success, and the sound of RoboCop browsing faces of criminals in the police archives computer. 'Green Calx' also contains a faint sample of the vocal from 'Fodderstompf' by, as well as distortion of the opening titles of 's 1982 film. Reception and legacy Professional ratings Review scores Source Rating 9.4/10 9/10 Selected Ambient Works 85–92 was released on 12 February 1992 by Apollo, a subdivision of Belgian record label R&S Records. James departed from R&S Records after the release of SAW 85–92 to focus on Rephlex Records. Selected Ambient Works has been critically acclaimed for its beat-driven, simple and atmospheric nature, and many reviewers suggested that James developed from the works of, to whom the electronic musician had not listened until he made his early recordings. John Bush of felt Ambient Works is sparse with eerie synth lines and narrow percussion and described it as a 'watershed of ambient music'.
He noticed the album's poor sound quality since it was recorded onto a cassette damaged by a cat. When it was reissued by PIAS America in 2002, David M. Pecoraro of likened its synth tones to a professional dancer and appreciated the album as 'among the most interesting music ever created with a keyboard and a computer' despite its 'primitive origins'. 's Pat Blashill thought the album combined minimal drums and bass with abundant soundscapes.
Eric Weisbard and Craig Marks, authors of the Spin Alternative Record Guide, gave it a 9 rating and called James a 'noise-for-noise's sake'. Widely regarded by critics as one of the pioneering works in early IDM and modern electronic music, retrospective reviews mention its influence on electronic artists. Refers to it as 'the birthplace and the benchmark of modern electronic music' and has stated that 'every home should have a copy.' In 2003, the album was placed #92 in 'NME's 100 Best Albums' poll. Nine years later, it was named the greatest album of the 1990s. The album was also featured in the book.
A remastered SAW 85–92 Compact Disc was released by Apollo/R&S Records on 8 April 2008. The remastered 12' vinyl record was released in 2006. Track listing All tracks composed and arranged. Title Length 1. 'Xtal' 4:54 2. 'Tha' 9:06 3. 'Pulsewidth' 3:46 4.
'Ageispolis' 5:23 5. 'Green Calx' 6:05 7. 'Heliosphan' 4:51 8. 'We Are the Music Makers' 7:43 9.
Youtube Aphex Twin Selected Ambient Works 2
'Schottkey 7th Path' 5:08 10. 'Ptolemy' 7:10 11. 'Hedphelym' 6:00 12. 'Delphium' 5:26 13.
'Actium' 7:32 Personnel As credited on the album's liner notes:. Tsutomu Noda – liner notes. – writer, producer, electronics, sampler Charts Chart (2014) Peak position 30 References. Bush, John. Retrieved 19 July 2017. Cinquemani, Sal.
Slant Magazine Inc. Retrieved 2 November 2002. Bush, John. Retrieved 19 July 2017. Retrieved 9 April 2017. ^ Tognazzini, Anthony.
Retrieved 19 July 2017. In a Different Place. Retrieved 1 May 2018.
Retrieved 1 May 2018. Retrieved 26 August 2017. ^ O'Connell, John (October 2001).
From the original on 15 June 2008. Retrieved 14 June 2008. ^ Reynolds, Simon. Retrieved 26 March 2018. Stuart Aitken (28 November 2003).
^ Jordan (9 December 2011). Windows server 2008 r2 remote desktop. Review To Be Named. Retrieved 14 July 2014. ^ Robinson, Dave (April 1993). Future Music. Murray, Janet (12 June 2007). From the original on 26 June 2008.
Retrieved 14 June 2008. Middleton, Benjamin (October 1992).
Anderson, Don (1999). Space Age Bachelor. Retrieved 7 July 2014. (30 November 1992). Retrieved 14 June 2008. (March 1994). Archived from on 3 June 2008.
Retrieved 14 June 2008. Bush, John. Retrieved 22 November 2011. (5th concise ed.).
Aphex Twin Selected Ambient Works 85-92 Torrent
'Aphex Twin: Selected Ambient Works 85–92'. ^ Pecoraro, David M.
(20 February 2002). Retrieved 6 March 2008.
'Aphex Twin: Selected Ambient Works 85–92'. Needs, Kris (June 2008). Retrieved 14 July 2014. ^ Blashill, Pat (12 December 2002).
Archived from on 25 May 2009. Retrieved 6 March 2008. 'Aphex Twin'. In Brackett, Nathan; Hoard, Christian.
Cinquemani, Sal (2 November 2002). Retrieved 22 November 2011. ^ Weisbard, Eric; Marks, Craig, eds. Retrieved 6 December 2009. Weidenbaum, Marc (13 February 2014).
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'Aphex Twin's Selected Ambient Works Volume II'. New York: Continuum International Publishing Group: 1. ^ George-Warren, Holly and Patricia Romanowski, ed. 'Aphex Twin'. The Rolling Stone Encyclopedia of Rock & Roll.
New York City: Fireside. Retrieved 1 July 2014. Bush, John. Archived from on 8 June 2012. Retrieved 19 July 2017. Blashill, Pat (12 December 2005). Retrieved 6 March 2008.
3 September 2012. Retrieved 20 February 2014. Selected Ambient Works 85–92 (booklet).
Notes. Weisbard, Eric; Craig Marks (1995). Spin Alternative Record Guide.
Vintage Books. External links.
Artist: Aphex Twin Title Of Album: Selected Ambient Works 85-92 Year Of Release: 2008 Label: Apollo Genre: Ambient, Experimental, Techno, IDM Format: CD, Album, Remastered, Reissue Quality: 320 kbps Total Time: 01:14:39 Total Size: 172 Mb:: PLAYLIST:: 01. Xtal 4:54 02. Pulsewidth 3:48 04. Ageispolis 5:23 05. Green Calx 6:05 07. Heliosphan 4:54 08.
We Are The Music Makers 7:44 09. Schottkey 7th Path 5:09 10. Ptolemy 7:14 11. Hedphelym 6:04 12. Delphium 5:29 13.
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